Pina
The movie has four separate sequences: Le sacre du printemps, Café Mueller, Kontakthof, and Vollmond (Wikipedia). In Le sacre du printemps, we see men with rakes cleaning the stage, as it is covered in what looks like sand, but which is actually peat. It's a strange way to start the film, but it does catch the audience's attention. In Café Mueller, we see a cafe with various chairs strewn about, and different people doing repetitive actions in each of the corners and in the middle. Kontakthof, which was my favorite, features a ballroom of sorts; at first, you see younger dancers in a line, but as the camera shifts, all of a sudden older dancers, wearing the same dresses and suits, are in their places. The last, Vollmond, features a flooded stage, as Pina was a fan of using the elements in her work, and the dancers are splashing about and moving through the water.
Maybe see this film. I am not a huge fan of modern dance, but I did appreciate the movie's talents, costumes, and choreography. The film was also in 3D, which was fabulous; it makes you feel as if you are sitting in an actual theater watching a live performance. I enjoyed the second half of the film more than the first, but it still is not a film that I would actively seek out to go and see it in the theater, normally. Most of the scenes were shot in Germany, which provides for some nice outdoor scenery; the others were shot indoors. The film also features dancers from the company saying their thoughts and memories of Pina Bausch, and they all speak different languages, so subtitles are used; I recognized German, Spanish, and one or two speaking in French, too. Pina was nominated as the German entry for Best Foreign Language Film for this year's Oscars and ultimately not chosen as one of the five nominated films (though it's up for Best Documentary), and at the time of this writing it had an admirable 94% rating on Rotten Tomatoes.
Pina is in theaters today, January 27th, and is rated PG with a runtime of 106 minutes. 2.5 stars out of 5.
